This week I once again eschewed the very modern, to look back fondly at what seems like a very different New York City. Has the city changed that much, or is it me? Maybe both. Whatever the case, Dylan Kidd’s Roger Dodger really hit the spot, with a very snappy script, and great performances all round (fascinating to watch the young Jesse Eisenberg, already shining).

For my part, I was happy to enable a bunch of people forget about the “now” and get lost in the “then” for 106 minutes.