The second part of our Creepfest mini-season, leading up to the Halowe’en special, Nicolas Roeg’s Don’t Look Now delivered a knockout punch. Donald Sutherland and Julie Christie had some chemistry going on for sure. Sweet.
Some tardy arrivals (natives of a certain country) delayed the start of our feature (not you, Max!) , so it was a bit of a late one, but we had a great evening, capped off with a loaf of banana bread, fresh from the oven. As usual, not a crumb remained.
Tonight’s opening short was Bicycle, by Cool 3D World. Clever stuff.
We set a rather high bar for our second official season of NewScreen with this British classic. Robin Hardy’s The Wicker Man was originally relegated to the minor leagues, and cut down in length to serve as an opening short for Nicolas Roeg’s Don’t Look Now (our next feature, btw.)
The most asked question after the movie? “How did you find this?” In fact, this was recommended to me by Sophie K. Davis, about 10 years ago!
Tonight’s opening short was Cheeto Christ Stupid-Czar, by the amazingly clever satirist, Randy Rainbow.
Despite of the torrential rains, we had a great turnout for Chilean director Sebastián Lelio’s touching A Fantastic Woman, tonight. Thanks to all for braving the elements ))
Our stop-motion short was a rather disturbing and highly amusing look at the human condition, and our lack of involvement. No, I Don’t Want to Dance! was directed by Andrea Vinciguerra.
According to A. A. Dowd, in his review for the A.V. Club “Burning simmers. For nearly two-and-a-half perfectly measured hours, it turns up the heat without boiling over: a drama becoming a thriller in slow motion, intensifying little by little minute by minute, until finally it reaches a shocking, powerful crescendo.”
This is pretty accurate, and I still love this film, but ultimately it was a poor choice to screen on a Saturday night. I should have chosen something more festive. Oh well… you can’t win ’em all.
Our short this week was a thought-provoking music video The Bully, by Sody, directed by Will and Carly.
Two oddball loners discover that they are sharing the same dream in Ildikó Enyedi’s On Body And Soul. This is enchanting stuff, and our audience was indeed enchanted. Incidentally, this was Enyedi’s first new feature in 18 years. Welcome back!
Sticking to the theme of unlikely love stories, our animated short this week was Next Flight Home directed by Jake Wegesin. A pigeon and a dove. Sweet.
It was great to revisit this classic tonight! Bob Rafelson’s Five Easy Pieces packs so much color and depth into a rather short 98 minute package. We had a great turnout too.
On another note, I’m going to rethink the popcorn policy here. Every Friday morning, I throw so much uneaten popcorn out. As cute as it is for me to deliver popcorn to each sofa, it appears that not everyone wants it. I think I’ll just set it out on the side bar, and folks can help themselves. I know… first world problems!
Speaking of which, tonight’s animated short was the disturbingly poignant story of an immigrant’s futile attempt to make a new life in a first world country: Paper or Plastic, directed by Nata Metlukh
A very special NewScreen tonight… kind of a hard one to “sell”… Erik Poppe’s Utoya: July 22 reenacts a 72 minute terrorist attack on an AUF (a youth group affiliated with the Norwegian Labor Party) summer camp. The movie is shot in one continuous take, and focuses on Kaya, who has dragged her younger sister to summer camp, very much against her teenage will. The experience is brutal, and mesmerizing. It felt inappropriate to be breaking out popcorn, and the audience agreed when polled.
Utoya: July 22 was recommended by writer and NewScreen regular, Howard Fishman, who interviewed Poppe for the New Yorker at this year’s Gothenburg film festival (Read Howard’s review). Apparently the crew went through five full takes, and loudspeakers were set up throughout the woods to broadcast the “gun shots”. At one point, Kaya is hiding on the forest floor, attempting to use a mobile phone, when she notices a mosquito landing on her arm. She lets the mosquito be. Quite a metaphor…
The mosquito in question. Def not CGI.
After watching the end credits all the way through (folks were kind of in shock at the ending), a lively discussion broke out about the mosquito. CGI? Nope. it was real. All the more reason to applaud the camera work.
And then… banana bread! It’s getting to be a thing.
Our not-so-short feature this week was Little Red Riding Hood, starring a very young Christina Ricci, directed by David Kaplan. It never fails to entertain.”Are you pinching out a big loaf?” LOL
On the face of it, one might assume that a documentary whose premise is fairly obvious – triplets separated at birth are reunited – wouldn’t be able to hold its audience in rapt attention, but Tim Wardle’s Three Identical Strangers does just that. I won’t go into details for the sake of not being a spoiler, but suffice it to say that there are many layers of skin to peel off of this particular onion. Some layers are stretched a bit, but overall, this is mesmerizing stuff.
This week we revisited two NewScreen favorites: The Chemical Brothers – We’ve got to try, directed by Ninian Doff, featuring “Girl the Dog”. We just had to show it again.
Tonight marked the first screening of a Japanese movie in the seventeen year history of MovieNight/NewScreen, and it surely won’t be the last. Director Hirokazu Kore-eda’s Palme D’or winning Shoplifters is an intimate portrait of a “family” who share no blood lines, but are very much a functional unit.
It was a busy night at the bar and consequently the movie started a bit late. Sorry kids! I’ll be more disciplined in future. I know some of you have a long way to go home on a school night.
Our animated short feature this week was La Pista, directed by Juanluigi Toccafondo.
