Returning to NewScreen (well technically not, since it was first screened at MovieNight) some 15 years later, Head-On remains as thrilling and sexy as ever, and this week, served as a little German lesson for the Whitehouses. Happy to do my part.
The Survivalist was director Stephen Fingleton’s first feature length film. A taut, breathtaking thriller, beautifully realized by cinematographer Damien Elliot. I have been in love with this movie for some time now and it seemed like a perfect vehicle to jump back towards the present after our two week excursion into eighties cinema. Good call! Our NewScreen “gang” was enthralled, and I don’t think I’d be wrong to assume that most are still thinking about this one today. And… Mia Goth!
We also enjoyed a pretty sexy pre-movie short tonight. Wet by Ecole des Nouvelles Images. Take a look
Also… a surprise appearance from one Andrew Kozak tonight. Long time no see!
Not a very big crowd this week, but what a great night! I can find De Palma’s work to be a bit over the top sometimes, but this was one of his very best. It was an honor to share it on the big screen with some who hadn’t ever seen it.
Ironically, and totally unintentionally, this was the second movie shown here in a row in which an awl was featured as a murder weapon. I always have one in my toolbox, but had never thought to use it in that manner!
This week, we moved to a Wednesday… there are just too many other things a person can only do on Thursdays in New York City, apparently. Well… good move!
And a great movie. There are a surprising number of people who have never seen Diva, and I guess that’s because it has been unusually hard to acquire over the years since its release. Now streaming on Prime Video, I urge you Diva-virgins to go for it, the bigger the screen, the better!
Thanks to all who came out tonight. We had a blast! Wednesdays work.
That was fun!
Thanks to Zofi (the original Pole!) for bringing this amazing film to my attention many years ago. On the surface this is a playful romp (one reviewer suggested that this is “Benny Hill meets George Orwell”) pitting a couple of bumbling men against a society of women that has evolved to the extent that they no longer need men in order to reproduce. But, reading between the lines, this movie was a daring critique of the then communist regime in Poland. The sensors saw it as a funny movie with a lot of naked women, and let it go. LOL.
A rather quiet night here tonight, but that didn’t stop the applause. Thanks to you loyal guests for coming!
Tonight’s feature was another spooky and ghostly tale, which took its delicious time ensnaring us. I discovered it circuitously (as always) and was, of course, drawn in by another compelling performance by Vicky Krieps.
One of our loyal NewScreen supporters, upon receiving this week’s invitation declared themselves* as “not a Krieps fan”, and therefore uninterested in attending this week… this declaration is something I must add that to a growing list of things I simply can’t wrap my head around. Krieps is an amazing actor.
Also (for you gear heads)… has an AMC Pacer ever been featured in another movie? I think probably so…
Ultimately, the “proof of the [NewScreen] pudding”, is in the applause, which broke out spontaneously at movie’s end. Thank you all for getting it.
*pronouns changed to protect the identity of the person in question.
This film devastated us tonight. As far as I know, there wasn’t a dry eye in the house, but I really couldn’t take account through my own teary orbs.
Lucas Dhont’s Close first celebrates a beautiful, innocent friendship between two young boys, Remi and Leo (pictured above) spending one last golden Belgian summer together before heading off to high school, and then mourns the gradual decay of that friendship due to peer pressure. “Are you two together?” asks one of the girl students, planting a destructive seed in Leo’s head.
Were they “together”? Who cares?
Outstanding performances from Eden Dambrine and Gustav De Waele as Leo and Remi, and Émilie Dequenne as Remi’s adorable mother. I was thinking how she looked familiar… Duh. Rosetta. Nice to see a child actor develop like this.
Another great NewScreen night. Thanks to all who shared!
The advent of the smartphone has put an extremely capable camera in many of our pockets. This has enabled an great amount of creativity to blossom, while at the same time proliferating an abundance of mundane imagery. “Everybody’s a photographer these days!” as they say.
Well… turning the clock back to the late nineteenth century, photography wasn’t easy at all, and creative expression was often not part of the craft. Lucas, the Danish priest dispatched to Iceland to build a church is obsessed with photography, but (often comically) wouldn’t know a good picture if it slapped him in his stoically dopey face. For example, the playful younger sister tried so hard to help him take a good picture, but…
And the horse gave up too, and walked away before he could get a picture.
This is a gorgeous film, and we enjoyed a good turnout tonight. NewScreen continues to shine!
Broker is another fun ride from Japanese director Kore-eda Hirokazu, this time in Korean. As in Shoplifters, a rag-tag “family” is made up of disparate members who have seemingly fallen through the cracks in our societal network.
This was a quiet but lovely NewScreen night. Sheldon takes this week’s [unofficial] prize for paying attention and not missing a single thing!
Well, that was a blast!
When I started noticing the posters for this popping up around town , and everywhere, I thought it was probably some some TV show for that would only appeal to Gen Z’ers. My curiosity eventually got the better of me though, and I was blown away. Smart, funny and exciting… just ask anyone who was here tonight!
And yes. The dance!