I sat on the fence for quite a while about this one. I was all excited to show it, and then Putin’s “Special Operation” to fuck Ukraine got underway, and I had second thoughts. Yes, the director is from Finland, but the film takes place on a Russian train, and was partly financed with Russian money. Anyway, as time passed, I softened my stance. Putin didn’t make the movie, after all. Compartment No. 6 is a heart-warming movie, very very real, and made a great NewScreen presentation. We needed a bit of a lift… I’ve been hitting people with some pretty heavy stuff for a few weeks prior!
Tonight was another pretty heavy dose of blood and guts (actually less guts than our previous feature), but Robert Eggers showed us one more time that he is a visionary director, and doesn’t lose his cool when handed $90 M to make a flick. That’s a lot of dough!
Eggers delighted audiences with his creepy first feature film The Witch, introducing us to the very large-eyed Anya Taylor-Joy (always amazing to watch). Apparently she asked to be cast in The Northman, after Eggers had briefly been “unfaithful” to her when he cast Valariia Karaman as the mermaid in The Lighthouse… maybe it was a nudity issue? She got naked this time. Just saying.
Anyway, this was a thrilling movie to watch, and even the fossilized Nicole Kidman gave good character. I wonder whether his next movie will be called The (something)?
Since it seems that no one bothers to read this blog, I won’t spend much time writing it.
You Won’t Be Alone is, simply put, one of the most beautiful films I’ve seen in years. So good I showed it twice. Thanks to all the lucky ones who came to see it.
Another great screening tonight. Jukka-Pekka Valkeapää’s Dogs Don’t Wear Pants has been described as a black comedy, but the romantic in me sees it as a love story, albeit not your average love story – not that you would ever see an average love story on our screen.
Sadly, I mistimed my banana ripening this week, so no banana bread tonight. They were just too green! However… Borodinski bread with rollmops to the rescue. Fancy schmancy!
I found nothing new suitably inspiring enough to be the short for this week, so I went “digging in the crates” and found a gem: Pursuit by Gesaffelstein. Always exciting.
Ti West’s X was, of course, a delightful blood-bath! The girl from Southwark, London (Mia Gipsy Mello da Silva Goth) pulled off a flawless accent in the role of a coke-snorting, exotic dancer, intent upon making it big in the movies. Well, in real life she has. Always wonderful to watch. Even LaBoeuf can’t seem to get her out from under his skin!
We started our evening with a little, bloody appetizer from Purity Ring: Begin Again. Tasty
Emma Seligman’s debut feature, Shiva Baby, made us cringe tonight… in the way that we like to cringe. Although it’s not a horror movie, it almost could be, with new plot twists coming hard and fast, spiraling ever downward with every glass of wine Danielle (Rachel Sennott – excellent) knocks back, and every staccato note of Ariel Marx’s haunting score. The cast is all solid, but Dianna Agron brought another level of tension, with her knockout performance as Kim, a Westchester blonde “Shiksa” entrepreneur (she’s actually Jewish btw). Perfect.
Our short tonight was the vintage I Fink U Freaky, by Die Antwoord. Dark stuff all night!
I went out on a bit of a limb tonight with this one. Bad Luck Banging or Loony Porn opens with what used to be called a sex tape, the existence of which provides the premise for the rest of the movie. I stayed hunkered down behind my bar, worried that my guests could be offended or embarrassed by the three and a half minutes of hard core action on screen. It turns out that I had nothing to worry about. It seems that people are pretty familiar with this kind of thing! The pacing of Radu Jude’s movie is perfect (one IMDB contributor, not wanting to give anything away, described it as a roller coaster ride) and kept our audience suspended in delight.
It felt like old times here tonight. We had a couple of fresh-off-the-boat newbies (always great to welcome), and Ellen insisted that the lazy bartender make popcorn for her to distribute. lol
Our short feature was Emma Allen’s Ruby a fast moving stop motion self portrait
It’s hard to believe that Henri-Georges Clouzot’s Les Diaboliques is 67 years old! The re-mastered Criterion release looked great on our screen tonight. We had a nice turnout for this creepy delight… some folks returned for the first time since Parasite! It felt like old times, and we managed to not think about the war for a minute.
Keeping it French, our short this week was Justine Vuylsteker’s somewhat erotic graduation film, Fish Don’t Need Sex.
My choice of tonight’s feature was rather polarizing. Some of you wouldn’t even consider watching another (supposed) biopic about Lady Di, and/or the Royal Family, for various reasons political and otherwise (one person loved The Crown so much, that they weren’t eager to see the royals portrayed by actors that they were unfamiliar with in their roles). Still others can’t bear to watch Kristen Stewart at all, and were recently appalled by her Oscar nomination for Spencer.
I beg to differ! This trippy movie was never meant to be an accurate account of Diana’s life, rather a dark portrayal of a woman imprisoned in a loveless marriage, on the verge of cracking up completely. Personally, I believe this fictional account was full of non-fiction. Of course, there were some purely fantastical elements thrown in to spice up this twisted dish, but the “dish” came out of the oven cooked to perfection. Stewart did an amazing job, albeit the same job she always does. This time she had something more to sink her lovely teeth into.
A point of trivia for you movie lovers: have you noticed that Neon seems to have become the new A24? Almost everything good that I see these days is a Neon release.
As Putin’s murderous onslaught rages on, we repeated short intro: a rousing video performance of the anti war Disenchantment, by the Ukrainian metal band, Ignea. Planning to attend the I Stand with Ukraine rally in Times Square on Saturday, rocking this two-sided sign. Bigly.
No ambiguity hereUkrainian for “Putin is a dickhead”
Just a few hours before tonight’s screening, Russia invaded the sovereign nation of Ukraine, using the preposterous pretext of keeping the peace in the Luhansk and Donetsk regions. Unfortunately, many Russians have no easy access to real news, and have swallowed Putin’s lies whole. There but for the grace of god go we. Think “Fox News” and now “Truth Social”.
Run, Julia, run.
Our crew of four managed to find some solace in each others’ company though, and occasionally rise above the pervading sense of doom . Although it wasn’t always easy to concentrate on the movie, when we could, we were moved to laughter and tears.
As a tribute to our friends in Ukraine, our short intro featured a rousing video performance of the anti war Disenchantment, by the Ukrainian metal band, Ignea
